#odesa

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Fort Manoel is built in the shape of a square, with a pentagonal bastion on each corner, giving it the shape of a star fort. The four bastions are called St. Helen, St. Anthony, St. John and Notre Dame Bastions. St. Helen and St. Anthony Bastions are located on the seaward side, facing Valletta. They originally had echaugettes and gunpowder magazines, but the echaugettes on both bastions were dismantled in the 19th century, and the magazine on St. Anthony Bastion was demolished to make way for three QF 12-pounder gun emplacements. The magazine on St. Helen Bastion is still intact. The curtain wall linking these two bastions contains the main gate, which is protected by a lunette known as the Couvre Porte. St. John and Notre Dame Bastions are located along the landward side of the fort. Each bastion is protected by a low cavalier. The curtain wall between the two bastions is further protected by a pentagonal ravelin, which is largely rock hewn.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Architecture is becoming liquid, invisible and indistinguishable from images. As the city remains open to processes of growth, decline and transformation, Architects and City Planners must strive to sustain a continuous program so that intense metabolic changes can take place freely within our Cities. Perhaps these critiques on Architecture in the Imagined Cities guide the evolution of the perception of our cities. That the city itself was transforming through new media, new technology, and new patterns of consumption. As the physicality of architecture is dematerializing, Architecture is set to become a very metaphysical thing. At present, Architecture is still very tangible. But there is already an imaginable state where all the physical elements could become, somehow, simple images. There is going to be an interpenetration on the physical world that we live in. And people live with it already, with information overload as the norm and social media as the training center just for that.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Cyberpunk is a futuristic, sci-fi-based society that's often dominated by – or at war with – hi-tech intelligence. Common characters involve avatars, robots, or hybrid humans. Picture this: you're at war with the elites of artificial intelligence.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Montreal Biosphere. he building originally formed an enclosed structure of steel and acrylic cells, 76 metres (249 ft) in diameter and 62 metres (203 ft) high. It is a Class 1 (icosahedral, as differentiated from Class 2 domes, which are dodecahedral, and Class 3 ones, which are tetrahedral), 32-frequency, double-layer dome, in which the inner and outer layers are connected by a latticework of struts. (There has occasionally been confusion in mistakenly referring to this as a 16-frequency dome due to the fact that there are 15 hexagonal polygons from each pentagonally polygonal vertex of this icosahedral polyhedron to the adjacent vertex. However, the standard for measuring dome frequency is the number of triangles from vertex to vertex. Since there are two triangles from one side to the opposite side of a hexagon, there are actually 30 triangles from the edge of each pentagonal vertex in this dome to the next, plus the triangle that comprises one-fifth of the pentagonal vertex at each end of the length from one vertex to the adjacent vertex: totaling 32 triangles from the center of each vertex to the center of the next vertex.).
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Blobitecture. Despite its seeming organicism, blob architecture is unthinkable without this and other similar computer-aided design programs. Architects derive the forms by manipulating the algorithms of the computer modeling platform. Some other computer aided design functions involved in developing this are the nonuniform rational B-spline or NURB, freeform surfaces, and the digitizing of sculpted forms by means akin to computed tomography. Buckminster Fuller's work with geodesic domes provided both stylistic and structural precedents. Geodesic domes form the building blocks for works including The Eden Project.[6] Niemeyer's Edificio Copan built in 1957 undulates nonsymetrically invoking the irregular non-linearity often seen in blobitecture. There was a climate of experimental architecture with an air of psychedelia in the 1970s that these were a part of. The Flintstone House by William Nicholson in 1976, was built over large inflated balloons. Frederick Kiesler's unbuilt, Endless House is another instance of early blob-like architecture, although it is symmetrical in plan and designed before computers.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Blobitecture. Blobism and blobismus are terms for a movement in architecture in which buildings have an organic, amoeba-shaped, building form.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Architecture of ‘Tron’ relies on a novum created to achieve this alternative universe. There are no natural sources of light in the digital universe of ‘Tron’, and this is clearly represented in the Architecture of the spaces. The spaces in the movie are almost exclusively lit up by artificial LED Lights and even in the technology and clothes worn by humans and humanoids. It is almost like the lights in ‘Tron’ are not use for illuminating the surface but rather to simply wash the surface with light hence allowing for the object to be gently be acknowledged. With the absence of any natural light sources, artificial light is used in the form of a material or in the way colour is used in the real world. The architectural aesthetic of the film is inspired by microchips, and so is the visual aesthetic of the costumes and vehicles in the Tron world. Another inspiration that the virtual world has taken from the real world is the Architecture of totalitarian governments.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Tower of Ring is a stunning structure that is a beautiful sight to behold. Despite being dubbed a tower, it has more of a monumental status. Completely empty, it does not house any rooms or even stairs to climb up. Occupying the middle of a big square in Tianjin, China, it simply offers a serene area for revellers to lose themselves in. Designed by the EASTERN Design Office, the Tower of Ring is made out of cast-steel. Exactly 1,168 pieces make up each wave element, all of which are embedded with LEDs for a spectacular show at night. Consisting of 73 levels, the cylindrical structure spirals up into the heavens, inviting people to enjoy its height amongst the blue sky and clouds--to not would be a shame.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The seemingly out-of-place 'Step Tower' looms over Ibaraki-city in Osaka, Japan while imitating a seafaring vessel. Designed by architecture firm EASTERN design office, the tower was built with a minimalist facade to look like a white ship. The residential tower is composed of layers of beautiful curves that extend into the sky. As you look up, each subsequent layer looks like it's curving further and further up. As a result, the seafaring tower looks like a gargantuan wave or spine.EASTERN's tower is 10-stories tall and has extremely well-designed rooms. The design firm decided to keep the apartments simple with rich hardwood floors and clean white furniture. The Step Tower will have larger suites on the fifth to tenth floors and single room suites on the second to fourth floors.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: When Ziba Esmaeilian describes the themes and principles at play in the design of 'Dichotomy & Ambiguity,' it's difficult to envision an architecture that embodies any harmony at all. Interestingly, despite the contrasting forms at work within this idiosyncratic structure, the skyscraper carries itself with a beautiful balance. The chaotic "pile" system is met with the predictable monolithic style for a fascinating fusion of geometric masses. They appear to defy the logic of the planned horizontal floor planes. A glance at the cross-sections will show you that such interior spaces function regardless with an intelligent arrangement of open galleries and vertical circulation. 'Dichotomy & Ambiguity' mesmerizes from the outside with its abstract shape and the captivating striation of its cladding.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Scientists and engineers at Arizona State University's Center for Science and the Imagination are working on a concept with science fiction author Neal Stephenson to develop sci-fi building that is capable of launching rockets into outer space. Before becoming an author, Stephenson studied physics, familiarizing him with issues like wind pressure and the constraints of today's building materials. He claims that one day, "high-grade steel could one day be used to build a tower that is around 24 times as tall as the 830-metre Burj Khalifa," which is currently the world's tallest man-made structure. The proposed design of 'The Tall Building' is part of 'Project Hieroglyph,' which aims to bring the visions of sci-fi writers into reality. Stephenson imagines that this structure would tower over the ground at over 12 miles high and because of its height, it would become one of the most cost-effective ways to send objects into space.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: These sci-fi architecture examples range from cloud-shaped structures to futuristic interiors that are inspired by conceptual imagery. Embracing futuristic design ideals, these sci-fi architecture examples are the opposite of traditional and are always pushing boundaries with their complex and sophisticated designs. These amazing structures are not only visually striking but are designed using some of the world's most sophisticated technological inventions. Standouts from the list include Yuliyan Mikov's Museum of Architecture concept. This project looks to nature for its visual inspiration and employs complex technology to create its organically shaped structural form. The end result is a dreamlike and sculptural design and is a piece many hope will be fully realized and built in the coming future.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The capital city of Gondor was Minas Tirith. It had seven walls: each wall held a gate, and each gate faced a different direction from the next, facing alternately somewhat north or south. Each level was about 100 ft (30 m) higher than the one below it, and each surrounded by a high white stone wall, with the exception of the wall of the First Circle (the lowest level), which was black, built of the same material used for Orthanc. This outer wall was also the tallest, longest and strongest of the city's seven walls; it was vulnerable only to earthquakes capable of rending the ground where it stood. The Great Gate of Minas Tirith, constructed of iron and steel and guarded by stone towers and bastions, was the main gate on the first wall level of the city.[T 6] Tolkien called it a "Byzantine City".
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: worrying about the end of the world and then deciding you can prevent it, john blanche style, hyper-detailed
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Fantastic exotic flowers, watercolor ink, intricate, magical, in the style of James Jean, Brian Froud, Yana Movchan, Zdzisław Beksinski, Hieronymus Bosch, hyperdetailed, sharp focus, intricate concept art, digital painting, ambient lighting, 16 k, trending on artstation, hyper quality
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The building is designed as a cultural and residential complex. The original 1966 brick façade of the Kaispeicher A, formerly a warehouse, was retained at the base of the building. On top of this a footprint-matching superstructure rests on its own foundation exhibiting a glassy exterior and a wavy roof line. About one thousand glass windows are curved. The building has 26 floors with the first eight floors within the brick façade. It reaches its highest point with 108 metres (354 ft) at the western side. The footprint of the building measures 120,000 square metres (1.3 million square feet). A curved escalator from the main entrance at the east side connects the ground floor with an observation deck, the Plaza, at the 8th floor, the top of the brick section. The Plaza is accessible by the public. It offers a view of Hamburg and the Elbe. From the Plaza the foyer of the concert hall can be reached. The Elbphilharmonie has three concert venues. The Great Concert Hall can accommodate 2,100 visitors whereby the performers are in the center of the hall surrounded by the audience in the vineyard style arrangement.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: A Brand New Ancient Alien Land of Spiralling Creativity and Unnatural Concepts, a coupls is walking on a path, by Salvador Dali, Peter Gric, Ivan Shishkin and Dan Mumford, Flowing Energy, Deep Colours, Polished, Masterful Surrealism, Photorealistic, cel-shaded, digital illustration, unreal engine, 8k, high definition, crisp quality
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Steampunk Art: sights in the world, by Hieronimus Bosch, H.R. Giger, Escher, high definition, crisp, quality, polished.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: a striking digital illustration that imagines a world in which technologically advanced Cats. Created by artist Sophia Chen in 2023, the artwork features a highly detailed and intricate scene that evokes a sense of wonder and intrigue. Futuristic, with sleek and polished designs that suggest a highly advanced civilization. The colors are predominantly cool blues and greens, with flashes of neon red and orange that add a sense of energy and intensity to the scene. The overall effect is a blend of scientific precision and emotional expressiveness,
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The Willis Building (originally the Willis Faber & Dumas regional headquarters) in Ipswich, England, is one of the earliest buildings designed by Norman Foster and Wendy Cheesman after establishing Foster Associates. Constructed between 1970 and 1975 for the insurance firm now known as Willis Towers Watson, it is now seen as a landmark in the development of the 'high tech' architectural style. The building houses some 1,300 office staff in open-plan offices spread over three floors. The centre of the building is constructed from a grid of concrete pillars, 14 m apart, supporting cantilevered concrete slab floors. The curtain wall exterior is clad in panels of dark smoked glass. The use of dark glass, a curtain wall and lack of right angle corners mirrors the art deco Express Building in Manchester, cited by Norman Foster as one of his favourite buildings and a design influence. The central escalator well leads up to a rooftop staff restaurant surrounded by a rooftop garden. Originally, there was also a swimming pool for employees to enjoy during their lunch break. This has now been covered up (not filled in due to it being a listed building) and the space is used for more offices.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0