#factory

Steampunk Portal

• Model: Stable (v2)*

• Size: 960 X 960 (0.92 MP)

• Used settings:

  • Prompt: time portal in a factory, maze of copper pipes, steam vents, gages, knobs, valves, style amy brown and Edward Robert Hughes and Boris Vallejo, Thomas Kinkade, 1920s
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Steampunk Furnaces

• Model: Artistic

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: time portal in a factory, maze of copper pipes, steam vents, gages, knobs, valves, style amy brown and Edward Robert Hughes and Boris Vallejo, Thomas Kinkade, 1920s
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Steampunk Street Corner

• Model: Fusion*

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: barbershop with a barber pole in the style of steampunk and dieselpunk look. Background outdoor STEAMPUNK city setting. Render detailed features with very fine details, art by Unreal Engine 5 mixed with artstation :: bronze, brass, copper, iron ::
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: square

It's a Complex World

• Model: Fusion*

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt: bodega with a neon sign near the water. steampunk and dieselpunk look. Background outdoor refinery with service station with a boat on the water. Render detailed features with very fine details, art by Unreal Engine 5 mixed with artstation :: bronze, brass, copper, iron ::
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Steampunk Time Travel Generator

• Model: Artistic

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: Steampunk time portal room, cooling fins, bronze pipes, copper valves, granite floor ,gaslights, rising steam, gears, trumpet bells, pistons, mysterious, ethereal, smooth, style Joules Verne and Stanislav Vovchuk, mystical
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: square

Creative Catalysts: Unleashing Potential

• Model: Artistic

• Size: 1152 X 896 (1.03 MP)

• Used settings:

  • Prompt: processing
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

The Octopus's Embrace

• Model: Artistic 2

• Size: 824 X 1248 (1.03 MP)

• Used settings:

  • Prompt: a person with octopus skin standing in a derelict, rubbish strewn, flooded fish factory in China in 1960, in 4k detail
  • Using base image: Yes (Effect strength - 80%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: One of the writers who used science fiction to explore the sociology of near-future topics was H. G. Wells, with his classic The Time Machine (1895) revealing the human race diverging into separate branches of Elois and Morlocks as a consequence of class inequality: a happy pastoral society of Elois preyed upon by the Morlocks but yet needing them to keep their world functioning—a thinly veiled criticism of capitalist society, where the exploiter class, or the bourgeoisie, is symbolized by the useless, frivolous Elois, and the exploited working class, or the proletariat, is represented by the subterranean-dwelling, malnourished Morlocks. Wells' The Sleeper Awakes (1899, 1910) predicted the spirit of the 20th century: technically advanced, undemocratic and bloody. Next to prognoses of the future of society if current social problems persisted, as well as depictions of alien societies that are exaggerated versions of ours (exemplified by The War of the Worlds of 1897), Wells also heavily criticized the then-popular concept of vivisection, experimental "psychiatry" and research that was done for the purpose of restructuring the human mind and memory (clearly emphasized in The Island
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The name "dieselpunk" is a derivative of the science fiction subgenre cyberpunk,[5] and represents the time period from World War I until the 1950s, when diesel-based locomotion was the main technological focus of Western culture.[6] The "-‍punk" suffix attached to the name is representative of the counterculture nature of the genre with regard to its opposition to contemporary aesthetics.[3] The term also refers to the tongue-in-cheek[7] name given to a similar cyberpunk derivative, "steampunk", which focuses on science fiction based on industrial steam power and which is often set within the Victorian era.[8]
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

Factory

• Model: Stable

• Size: 960 X 640 (0.61 MP)

• Used settings:

  • Prompt: bizarre alien landscape with some industrial buildings biopunk in style of Zdzisław Beksinski
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Mundane science fiction (MSF) is a niche literary movement within science fiction that developed in the early 2000s, with principles codified by the "Mundane Manifesto"[1] in 2004, signed by author Geoff Ryman and "The Clarion West 2004 Class". The movement proposes "mundane science fiction" as its own subgenre of science fiction, typically characterized by its setting on Earth or within the Solar System; a lack of interstellar travel, intergalactic travel or human contact with extraterrestrials; and a believable use of technology and science as it exists at the time the story is written or a plausible extension of existing technology. There is debate over the boundaries of MSF and over which works can be considered canonical. Rudy Rucker has noted MSF's similarities to hard science fiction and Ritch Calvin has pointed out MSF's similarities to cyberpunk. Some commentators have identified science fiction films and television series which embody the MSF ethos of near-future realism.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

Steampunk Factory in Antarctica

• Model: Artistic 2

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: Steampunk Empire style architecture paleolithic factory architecture in ice rocks, oil refinery, buildings, arches, cracking process, bridge, stairs, port, harbor, harbor cranes, factory pipes, oil derricks, mountains, clouds, balloon, airship, airplane, wet to wet watercolor, architectural drawing, (black ink), colored markers, muddy tones, sharp focus, high resolution, color, complex detail, colorful
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Philip K. Dick. 1981. "I will define science fiction, first, by saying what SF is not. It cannot be defined as “a story (or novel or play) set in the future,” since there exists such a thing as space adventure, which is set in the future but is not SF: it is just that: adventures, fights and wars in the future in space involving super-advanced technology. Why, then, is it not science fiction? It would seem to be, and Doris Lessing (e.g.) supposes that it is. However, space adventure lacks the distinct new idea that is the essential ingredient. Also, there can be science fiction set in the present: the alternate world story or novel. So if we separate SF from the future and also from ultra-advanced technology, what then do we have that can be called SF? We have a fictitious world; that is the first step: it is a society that does not in fact exist, but is predicated on our known society; that is, our known society acts as a jumping-off point for it; the society advances out of our own in some way, perhaps orthogonally, as with the alternate world story or novel. It is our world dislocated by some kind of mental effort on the part of the author, our world transformed into that wh
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Cosmic pluralism, the assumption that there are many inhabited worlds beyond the human sphere predates modernity and the development of the heliocentric model and is common in mythologies worldwide. The 2nd century writer of satires, Lucian, in his True History claims to have visited the moon when his ship was sent up by a fountain, which was peopled and at war with the people of the Sun over colonisation of the Morning Star.[3] Other worlds are depicted in such early works as the 10th-century Japanese narrative, The Tale of the Bamboo Cutter, and the medieval Arabic The Adventures of Bulukiya (from the One Thousand and One Nights).[4] Dante in his Divine Comedy sets the third part, Paradise amongst the planets where he meets the saints.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The slower-than-light interstellar spaceship, pursuing its way through the weary centuries, its crew losing touch with all reality save the interior of the vessel ... Well, you know the story, and its unhappy downhill round, its exciting struggles between the barbarian tribes which develop in its disparate compartments, and then, if the writer is so minded, the ultimate flash of hope as the good guys win out and prepare to meet their future on some noble, if erroneous basis.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

Steampunk Control Room II

• Model: Cyberspace (v2)*

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: Steampunk control room interior, steam, gages, valves, knobs, rusty pipes, amber lights, steam leaking from pipes, steam clouds,
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: square

air pollution...

• Model: DigitalDaVinci

• Size: 1816 X 1040 (1.89 MP)

• Used settings:

  • Prompt: Enhance! zoom in, Beautiful sunrise, Distant strip of grey above the sea marked the start of a hard wan dawn.so, light would trickle from the sky casting its fine glow over the waterscape. Nearby,a white column of smoke was crawling up from the beautiful industrial building polluting air. elegant, fantasy, intricate, very attractive, beautiful, watercolor, mystic, Paul Klee, art deco, Tim Burton, Yacek Yerka, Deep, Dee Nickerson, Van Gogh,water blue transparent and clear,
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: 2MP
  • Face enhance: No
  • Upscale & Enhance: 0

Exploded toilet factory

• Model: Stable

• Size: 1775 X 1183 (2.10 MP)

• Used settings:

  • Prompt: Exploded toilet factory goes into space, leaving huge tracks behind. photorealism, photoillustration, Falling down HDR auroracore futuristic Unreal Engine 5 wide-angle lens steampunk
  • Face enhance: Yes
  • Upscale & Enhance: 2
  • Aspect Ratio: landscape

futuristic cyber factory

• Model: Cyberspace (v2)*

• Size: 896 X 1152 (1.03 MP)

• Used settings:

  • Prompt: Insanely detailed hyperrealistic fantasical whimsical sci-fi long shot overview painting of a futuristic cyberpunk factory; appearance: towering metal structures, intricate neon lights, and intricate pipes and wires, surrounded by dark clouds of smoke and artificial lights; environment: vast sprawling metropolis with skyscrapers in the background; Genres: Cyberpunk, Futuristic, Surreal; Styles: Hyperrealism, Whimsy, Futurism; Techniques: Blending of photorealism and surreal elements, use of vibrant colors and bold contrasts; Lights: Hazy, artificial neon lights illuminating the scene; Colors: Vibrant blues, pinks, purples, and greens set against a black and metallic background; Descriptive terms: Futuristic, Intricate, Majestic, Meticulous, Whimsical; by Artists: Syd Mead, H.R. Giger, Takashi Murakami, James Jean, and Ryan Meinerding; 8K 3D, CGSociety, trending on Artstation, 8K resolution
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: portrait

Steampunk Power Station

• Model: Cyberspace (v2)*

• Size: 768 X 768 (0.59 MP)

• Used settings:

  • Prompt: Steampunk elevator interior, steam, gages, valves, knobs, corroded green pipes, whirling amber lights in the center, steam leaks from pipes
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: square