#building

Winter Wonderland: A Serene Stroll

• Model: DaVinci2

• Size: 1024 X 1024 (1.05 MP)

• Used settings:

  • Prompt:
  • Face enhance: Yes
  • Upscale & Enhance: 5
  • Aspect Ratio: square

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Cosmic pluralism, the assumption that there are many inhabited worlds beyond the human sphere predates modernity and the development of the heliocentric model and is common in mythologies worldwide. The 2nd century writer of satires, Lucian, in his True History claims to have visited the moon when his ship was sent up by a fountain, which was peopled and at war with the people of the Sun over colonisation of the Morning Star.[3] Other worlds are depicted in such early works as the 10th-century Japanese narrative, The Tale of the Bamboo Cutter, and the medieval Arabic The Adventures of Bulukiya (from the One Thousand and One Nights).[4] Dante in his Divine Comedy sets the third part, Paradise amongst the planets where he meets the saints.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Philip K. Dick. 1981. "I will define science fiction, first, by saying what SF is not. It cannot be defined as “a story (or novel or play) set in the future,” since there exists such a thing as space adventure, which is set in the future but is not SF: it is just that: adventures, fights and wars in the future in space involving super-advanced technology. Why, then, is it not science fiction? It would seem to be, and Doris Lessing (e.g.) supposes that it is. However, space adventure lacks the distinct new idea that is the essential ingredient. Also, there can be science fiction set in the present: the alternate world story or novel. So if we separate SF from the future and also from ultra-advanced technology, what then do we have that can be called SF? We have a fictitious world; that is the first step: it is a society that does not in fact exist, but is predicated on our known society; that is, our known society acts as a jumping-off point for it; the society advances out of our own in some way, perhaps orthogonally, as with the alternate world story or novel. It is our world dislocated by some kind of mental effort on the part of the author, our world transformed into that wh
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

SKY HIGH SK 23: www.omarsolh.con

• Model: MirageMaker

• Size: 752 X 1360 (1.02 MP)

• Used settings:

  • Prompt: A super skyscraper cantilevered high rise building with extensive use of glass facade
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

art deco building catherine abel

• Model: Stable

• Size: 640 X 832 (0.53 MP)

• Used settings:

  • Prompt: art deco building catherine abel
  • Using base image: Yes (Effect strength - 80%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: A ground station, Earth station, or Earth terminal is a terrestrial radio station designed for extraplanetary telecommunication with spacecraft (constituting part of the ground segment of the spacecraft system), or reception of radio waves from astronomical radio sources. Ground stations may be located either on the surface of the Earth, or in its atmosphere.[1] Earth stations communicate with spacecraft by transmitting and receiving radio waves in the super high frequency (SHF) or extremely high frequency (EHF) bands (e.g. microwaves). When a ground station successfully transmits radio waves to a spacecraft (or vice versa), it establishes a telecommunications link. A principal telecommunications device of the ground station is the parabolic antenna.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

Desert escape

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: 170km long building in the desert next to the ocean
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Stepanov Home

• Model: DreamForge

• Size: 648 X 1584 (1.03 MP)

• Used settings:

  • Prompt: Night comes to the city of New Orleans
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The cupola modeled on the Centennial Hall was made of reinforced concrete, and with an inner diameter of 69 m (226 ft) and height of 42 m (138 ft) it was the largest building of its kind at the time of construction. The symmetrical quatrefoil shape with a large circular central space seats 7,000 persons. The dome itself is 23 m (75 ft) high, made of steel and glass. The Jahrhunderthalle became a key reference for the development of reinforced concrete structures in the 20th century.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Neo-futurism. Geisel Library. Pereira originally conceived of a mushroom-shaped, steel-framed building, but the projected construction and maintenance costs forced him to switch to a reinforced concrete structure. This change of material presented an opportunity for a more sculptural design, as well as opening up interior spaces that would have been bisected by steel trusses. Prior to construction, a 1/2-scale model of one of the outer columns was built and subjected to various tests. It was envisioned that future additions to the original building would form terraced levels around the tower base descending into the canyon. In keeping with the original master plan, these are "deliberately designed to be subordinated to the strong, geometrical form of the existing library." Within its two subterranean levels are the other library sections as well as study spaces and computer labs. The building has been described by Architecture Daily as occupying "a fascinating nexus between brutalism and futurism". Its tower rises 8 stories to a height of 110 ft (33.5 m). The five upper stories of the tower house collections, individual study space, and group study rooms.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

Flames Consume Ornate Building in Chaos

• Model: DaVinci2

• Size: 1728 X 1296 (2.24 MP)

• Used settings:

  • Prompt: A medieval Middle Eastern city in the midst of chaos and destruction, the grand palace of a Muslim emperor lies in ruins, engulfed in flames as the once-majestic architecture crumbles to ash and smolders. The palace's sprawling library, a treasure trove of ancient knowledge, is consumed by the inferno, its shelves of precious tomes reduced to smoldering rubble. The streets are littered with lifeless bodies, victims of the brutal invasion that has left the city in shambles. A lone figure, a young scholar, stands amidst the carnage, surveying the devastation with a mix of sorrow and determination, as enemies continue to raid and murder the citizens with no empathy, their faces twisted in cruel smiles. The city's people cower in fear, their voices silenced by the sound of clashing steel and the scent of smoke and blood fills the air. In the background, the silhouette of a minaret stands tall, a haunting reminder of the city's former glory, now reduced to a mere shadow of its former self. The atmosphere is one of despair, hopelessness, and the struggle for survival in a world torn apart by violence and destruction.
  • Face enhance: No
  • Upscale & Enhance: 1
  • Aspect Ratio: landscape

SKY HIGH SK 41: www.omarsolh.com + SDW LLC

• Model: Artistic 2

• Size: 592 X 1736 (1.03 MP)

• Used settings:

  • Prompt: Render as a night image
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: Whilst discussing the organic nature of Kikutake's theoretical Marine City project, Kawazoe used the Japanese word shinchintaisha as being symbolic of the essential exchange of materials and energy between organisms and the exterior world (literally metabolism in a biological sense.) The Japanese meaning of the word has a feeling of replacement of the old with the new and the group further interpreted this to be equivalent to the continuous renewal and organic growth of the city.[15] As the conference was to be a world conference, Kawazoe felt that they should use a more universal word and Kikutake looked up the definition of shinchintaisha in his Japanese-English dictionary. The translation he found was the word Metabolism.
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

Battle of Bloodfield

• Model: Artistic 2

• Size: 1152 X 896 (1.03 MP)

• Used settings:

  • Prompt: The image of the Battle of Leipzig, where Napoleon's army clashes with the army of the undead, would be a dramatic and impressive scene. We can imagine the following elements: Image composition: Background: The city of Leipzig stretches out on the horizon, shrouded in morning fog, which adds a mysterious and suspenseful atmosphere to the scene. An overcast sky with heavy clouds indicates an approaching storm. Right foreground: Napoleon on horseback, wearing the typical two-cornered hat and military coat, leads his old guard into the attack. His face is focused and determined, with a gesture pointing forward. Left foreground: Horde of the undead, skeletons and zombies, attack with unearthly power. Some of them are hit by French bayonets and muskets, but others are relentlessly approaching. Center of the Image: In the very center is a furious clash between the living and the undead. The French soldiers fight in solid formations while ghosts and skeletons try to break through their ranks. Top of image: A necromancer stands on a hill in the background, surrounded by a dark aura. Magical energy coils in his hands, which he uses to control his undead soldiers. His character seems menacing and mysterious. Left Wing: French cavalry fighting ghostly cavalry of the undead. Swords and sabers flash as ghosts on horses move like a gust of wind. Color Palette: The painting would use dark and dramatic colors - deep shades of blue and gray for the sky and fog, contrasting with the bright flashes of cannon and musket fire. The colors of the uniforms would be bold, with dark blues and golds for the French soldiers and muted grays for the undead. This image would capture the dynamics and tension of the battle, combining historical realities with fantastical elements. It would show the courage and determination of the living to fight against a supernatural threat and would become a distinctive work combining history and myth.
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

URBAN OASIS SK 3: www.omarsolh.com, SDW LLC

• Model: Photonic

• Size: 1296 X 792 (1.03 MP)

• Used settings:

  • Prompt: Render at dawn
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

Rainbow Gateway to Sunshine Yard

• Model: Artistic 2

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: Going through the gate, a beautiful big doorway open, filled with light and rainbow sparkles
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Enchanted Garden: Path to Elegance

• Model: Artistic

• Size: 896 X 704 (0.63 MP)

• Used settings:

  • Prompt: "Garden in Montmartre" by Pierre August Renoir
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape

Urban Design SK 7: WWW.OMARSOLH.COM SDW LLC

• Model: DreamForge

• Size: 880 X 1168 (1.03 MP)

• Used settings:

  • Prompt: No changes. Render as is
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

Charming Pastel Building Under Blue Sky

• Model: Artistic 2

• Size: 3840 X 2160 (8.29 MP)

• Used settings:

  • Prompt: Rene Magritte style
  • Face enhance: No
  • Upscale & Enhance: 0
  • Aspect Ratio: landscape_wide

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: The current castle dates to 1180 and was built by Philip of Alsace (1143–1191) on the site of the older fortification.[1] It may have been inspired by crusader castles witnessed by Philip during the Second Crusade. As well a protective citadel, the Gravensteen was intended to intimidate the burghers of Ghent who often challenged the counts' authority. It incorporates a large central donjon, a residence and various smaller buildings. These are surrounded by a fortified, oval-shaped enceinte lined with 24 small échauguettes. It also has a sizeable moat, fed with water from the Lys. Futurist architecture characterized by long dynamic lines, suggesting speed, motion, urgency and lyricism: it was a part of Futurism, an artistic movement founded by the poet Filippo Tommaso Marinetti, who produced its first manifesto, the Manifesto of ...
  • Using base image: Yes (Effect strength - 40%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0