#architecture

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Technological developments in metal mining and production in Japan resulted in the evolution of a successful system based on small-scale, labor-intensive units covering the entire range of skills from digging to refining. The political and economic isolation of Japan during the Edo Period (1603 to 1868) impeded the introduction of technologies developed in Europe during the Industrial Revolution and this, coupled with the exhaustion of commercially viable silver-ore deposits, resulted in the cessation of mining activities by traditional technologies in the area in the second half of the 19th century, leaving the site with well-preserved archaeological traces of those activities. The abundant traces of silver production, such as mines, smelting and refining sites, transportation routes, and port facilities, that have survived virtually intact in the Iwami Ginzan Silver Mine Site, are now concealed to a large extent by the mountain forests that have reclaimed the landscape. The resulting relict landscape, which includes the surviving settlements of the people related to the silver production, bears dramatic witness to historic land-uses of outstanding universal value.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Set in the dense forests of the Kii Mountains on a peninsula in the southernmost part of mainland Japan, overlooking the Pacific Ocean, three sacred sites – Yoshino and Omine, Kumano Sanzan, and Koyasan – are linked by pilgrimage routes to the ancient capital cities of Nara and Kyoto. Together these sites, the connecting pilgrimage routes, and surrounding forests form a cultural landscape that reflect the fusion of Shintoism, rooted in the ancient tradition of nature worship in Japan, and Buddhism, which was introduced from China and the Korean Peninsula. The sacred sites are connected by 307 km of pilgrimage routes which cover a total area of 506.4 ha. With the surrounding forest landscape, they reflect a persistent and extraordinarily well-documented tradition of sacred mountains maintained over 1,200 years.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The buildings of Itsukushima-jinja are in the general tradition of Japanese Shinto architecture, in which a mountain or natural object becomes the focus of religious belief to be worshipped from a shrine, generally constructed at the foot of the mountain. The harmoniously arranged shrine buildings in the property are located on the sea and the scenery, with a trinity composed of the man-made architecture in the centre, the sea in the foreground, and the mountains in the background, and have become recognized as a Japanese standard of beauty. The sites reveal great artistic and technical skill and are unique among extant shrine buildings in Japan. The shrine is an outstanding and unique architectural work which combines manmade achievements and natural elements. It is tangible proof of the great achievements of Taira no Kiyomori.
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googie architecture

• Model: Artistic

• Size: 864 X 672 (0.58 MP)

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  • Prompt: googie architecture
  • Using base image: Yes (Effect strength - 60%)
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googie architecture

• Model: Artistic

• Size: 672 X 864 (0.58 MP)

• Used settings:

  • Prompt: googie architecture
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The property includes the Ohingni with their stone walls and low entrances, the structural support features known as buttresses, low water/sludge drainage vents from the inner livestock enclosures (kraals), the three-phase wall design, the inner and outer enclosures, industrial site and house pits. To ensure the full protection of the archaeological remains, the entire property area, including the suggested extension toward a yet private land in the south, will need to be considered in an integrated management approach. This also applies to the property’s immediate setting, where visual integrity depends on the conservation of the surrounding vegetation to retain the traditional atmosphere of the jungle-protected settlement.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Built by the Portuguese at the end of the 16th century at the southern edge of the town of Mombasa, over a spur of coral rock, and kept under their control for one century, Fort Jesus, Mombasa, bears testimony to the first successful attempt by Western civilization to rule the Indian ocean trade routes, which, until then had remained under Eastern influence. The design of the fort, with its proportions, its imposing walls and five bastions, reflects the military architectural theory of the Renaissance. Fort Jesus, Mombasa, bears physical witness, in its structures and subsequent transformations, also to the interchange of cultural values and influences between and among peoples of African, Arab, Turkish, Persian and European origin that fought to gain and maintain their control over this strategic port.
  • Using base image: Yes (Effect strength - 40%)
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Kayas provide focal points for Mijikenda religious beliefs and practices, are regarded as the ancestral homes of the different Mijikenda peoples, and are held to be sacred places. As such they have metonymic significance to Mijikenda and are a fundamental source of Mijikenda’s sense of ‘being-in-the-world’ and of place within the cultural landscape of contemporary Kenya. They are seen as a defining characteristic of Mijikenda identity. Since their abandonment as preferred places of settlement, Kayas have been transferred from the domestic aspect of the Mijikenda landscape to its spiritual sphere. As part of this process, certain restrictions were placed on access and the utilisation of natural forest resources. As a direct consequence of this, the biodiversity of the Kayas and forests surrounding them has been sustained. The Kayas are under threat both externally and from within Mijikenda society through the decline of traditional knowledge and respect for practices. The Kayas are now the repositories of spiritual beliefs of the Mijikenda and are seen as the sacred abode of their ancestors. As a collection of sites spread over a large area.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Silk Roads were an interconnected web of routes linking the ancient societies of Asia, the Subcontinent, Central Asia, Western Asia and the Near East, and contributed to the development of many of the world's great civilizations. They represent one of the world’s preeminent long-distance communication networks stretching as the crow flies to around 7,500 km but extending to in excess of 35,000 km along specific routes. While some of these routes had been in use for millennia, by the 2nd century BC the volume of exchange had increased substantially, as had the long distance trade between east and west in high value goods, and the political, social and cultural impacts of these movements had far-reaching consequences upon all the societies that encountered them. The routes served principally to transfer raw materials, foodstuffs, and luxury goods. Some areas had a monopoly on certain materials or goods: notably China, who supplied Central Asia, the Subcontinent, West Asia and the Mediterranean world with silk. Many of the high value trade goods were transported over vast distances – by pack animals and river craft – and probably by a string of different merchants.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Built on three closely-spaced hills in the Balqa highland of west-central Jordan, the city of As-Salt, was an important trading link between the eastern desert and the west. During the last 60 years of the Ottoman period, the region prospered from the arrival and settlement of merchants from Nablus, Syria, and Lebanon who made their fortunes in trade, banking, and farming. This prosperity attracted skilled craftsmen from different parts of the region who worked on transforming the modest rural settlement into a thriving town with a distinctive layout and an architecture characterized by large public buildings and family residences constructed of local yellow limestone. The site’s urban core includes approximately 650 significant historic buildings exhibiting a blend of European Art Nouveau and Neo-Colonial styles combined with local traditions. The city’s non-segregated development expresses tolerance between Muslims and Christians who developed traditions of hospitality evidenced in Madafas (guest houses, known as Dawaween) and the social welfare system known as Takaful Ijtimai’. These tangible and intangible aspects emerged through a melding of rural traditions and bourgeoi
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Located south-east of Madaba on the edge of the semi-arid steppe, this archaeological site, which started as a Roman military camp and grew to become a town from the 5th century, is largely unexcavated. It comprises remains from the Roman, Byzantine and Early Muslim periods (end of 3rd to 9th centuries AD) including a fortified Roman military camp and sixteen churches, some with well-preserved mosaic floors. Particularly noteworthy is the mosaic floor of the Church of St Stephen with its representation of towns in the region. A tall square tower and associated buildings are probably the only remains of the practice, well known in this part of the world, of the stylites (ascetic monks who spent time in isolation atop a column or tower). Um er-Rasas is surrounded by, and dotted, with remains of ancient agricultural cultivation, including terracing, water channels and cisterns.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: Built in the early 8th century beside the Wadi Butum, a seasonal watercourse, this desert establishment was both a fortress with a garrison and a residence/pleasure palace of the Umayyad caliphate. The exceptionally well-preserved, small pleasure palace comprises a reception hall and hammam (a bath complex with changing room, warm and hot rooms), all richly decorated with figurative murals that reflect the secular art of the time. The extensive fresco paintings of the bath building and reception hall are unique for Islamic architecture of the Umayyad period. The wall paintings show influences from classical pagan themes, Byzantine style portraits and hunting scenes, depictions of animals and birds, and are accompanied by inscriptions in Greek and Arabic. The representation of the zodiac on the domed ceiling of the caldarium (hot room) is one of the earliest known, surviving portrayals of a map of the heavens on a dome.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The serried rows of numerous rock-cut tombs reflecting architectural influences from the Assyrians through to monumental Hellenistic; the sacrificial and other religious high places including on Jebels Madbah, M'eisrah, Khubtha, Habis and Al Madras; the remains of the extensive water engineering system, city walls and freestanding temples; garden terraces; funerary stelae and inscriptions together with the outlying caravan staging posts on the approaches from the north (Barid or Little Petra) and south (Sabra) also containing tombs, temples, water cisterns and reservoirs are an outstanding testament to the now lost Nabataean civilization of the fourth century BC to the first century AD.
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innovative tinyhouse design

• Model: Artistic

• Size: 864 X 640 (0.55 MP)

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  • Prompt: innovative tinyhouse design
  • Using base image: Yes (Effect strength - 60%)
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googie architecture

• Model: Artistic

• Size: 672 X 864 (0.58 MP)

• Used settings:

  • Prompt: googie architecture
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

googie architecture

• Model: Artistic

• Size: 672 X 864 (0.58 MP)

• Used settings:

  • Prompt: googie architecture
  • Using base image: Yes (Effect strength - 60%)
  • Base image resolution: Default
  • Face enhance: No
  • Upscale & Enhance: 0

Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

• Used settings:

  • Prompt: It was the first major example of an 'inside-out' building with its structural system, mechanical systems, and circulation exposed on the exterior of the building. Initially, all of the functional structural elements of the building were colour-coded: green pipes are plumbing, blue ducts are for climate control, electrical wires are encased in yellow, and circulation elements and devices for safety (e.g., fire extinguishers) are red. According to Piano, the design was meant to be “not a building but a town where you find everything – lunch, great art, a library, great music”. National Geographic described the reaction to the design as "love at second sight." An article in Le Figaro declared: "Paris has its own monster, just like the one in Loch Ness." But two decades later, while reporting on Rogers' winning the Pritzker Prize in 2007, The New York Times noted that the design of the Centre "turned the architecture world upside down" and that "Mr. Rogers earned a reputation as a high-tech iconoclast with the completion of the 1977 Pompidou Centre, with its exposed skeleton of brightly coloured tubes for mechanical systems". The Pritzker jury said the Pompidou "revolution
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The Lloyd's building (sometimes known as the Inside-Out Building)[3] is the home of the insurance institution Lloyd's of London. It is located on the former site of East India House in Lime Street, in London's main financial district, the City of London. The building is a leading example of radical Bowellism architecture in which the services for the building, such as ducts and elevators, are located on the exterior to maximise space in the interior.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The structure's walls consist of three components: an outer layer (tilted inwards and made of many layers of stones whose size diminishes with increasing height: mostly, lower layers consist of rubble masonry, while upper layers tend to be of ashlar masonry); an inner layer, made of smaller stones (to form a corbelled dome of the bullet-shaped tholos type, and where ashlar masonry is used more frequently); and an intermediate layer of very small pieces and dirt, which makes the whole construction very sturdy: it stands only by virtue of the weight of its stones, which may each amount to several tons. Some nuraghes are about 20 meters (60 ft) in height, the tallest one known, Nuraghe Arrubiu, reached a height of 25–30 meters.
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Ukraine, Kotsiubiiv, Kotsiubiiv O & B Theatre

• Model: Artistic

• Size: 1024 X 576 (0.59 MP)

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  • Prompt: The comprehensive model of the protection and preservation of the Historic Centre of Riga strives to sustain the authenticity and integrity of the site and to ensure the prevention of potential threats. The main threats of the property include the following areas. Firstly, the planning of urban development that is insufficiently based on balanced long-term development and low public participation in planning processes poses a threat to the property. Secondly, extremities in economic development, excessively fast growth or crisis could dramatically affect the property. Insufficient understanding and appreciation of heritage values in the society could threaten the Outstanding Universal Value of the property. Thirdly, trends of losing original substance and authenticity that must be continuously overcome, for example, demolition of historic buildings and constructions, transformation of historic planning structure, low-quality changes of spatial composition or roof shape of historic buildings and repairs of historic buildings using unsuitable methods and/or materials, and falsification of history with replicas of historical buildings or imitations of styles may pose a threat.
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